By Carolyn Lewis

Stepping into Jeanne Toal’s studio, one is immediately struck by its simplicity. Unlike the typical cluttered chaos of creative spaces, this studio exudes an air of minimalism and restraint. The walls are devoid of adornments except for carefully curated pieces of Toal’s art. The only furnishings are a desk and two comfortable chairs. Despite the sparse appearance, an undeniable sense of purpose and intentionality hints at the creativity that takes place in this studio. Its minimalist feel allows the eye to focus solely on the artist's work, highlighting each piece displayed.

Q: What inspires your art? Share a bit about your creative process.

I am inspired by vast, stark landscapes and the luminosity hidden in darkness. A horizon line, mountains, and gold metal leaf appear often in my work, as they lend themselves to these ideas.

Q: Do you start a new piece with a particular idea in mind or does your process evolve organically?

I work on several paintings at once and my studio walls are crowded with paintings that, over time, influence each other. I begin a piece by choosing a color. Each supporting color either moves the work forward or demands a different direction. I enjoy the surprise of accidents and the experience of controlled chaos. 

Q: What mediums do you primarily use?

While color is a driving force, the materials I use also determine how a painting evolves. I work on a cradled hardboard with oil sticks manipulated by hand. I seldom use brushes, and when I do they are inexpensive cosmetic brushes. The finished work is left unframed to maintain a sense of openness and to allow the viewer to complete the experience. 

Q: You mentioned painting over past work. Can you share more about that? 

One way or another, every piece explores the theme of transformation. Layers of paint are constantly transformed by underlying layers. Finished paintings are often a composite of earlier, over-painted works. The final painting surface is affected by the invisible painting beneath it, lending it resonance and depth.

Q: How do you hope viewers interpret or engage with your art?

I aim for viewers to find a space of contemplation in my work, whatever that might mean at the moment. I’d rather evoke than express something. 

I am almost entirely self taught. I had one painting class in my twenties, stopped painting for almost 50 years and took it up again six years ago after watching a slew of how-to videos.

Q: Are there any artists or movements that have influenced your work? How about your background or personal experience?

Asian philosophy and aesthetics make a lot of sense to me. Color field painting and its yearning for transcendence is a compelling influence.

Having had the privilege of exploring different careers, including medical writing and work in the homelessness, mental health and dying fields, I'm fascinated by the possibility of healing. I find painting itself to be a healing process and aim to create works inherent with that possibility. 

Q: How do you approach the challenge of balancing commercial viability with artistic integrity?

When I am working well, the audience or the viewer does not exist. Finished work is on its own. Opportunities to show work continue to appear, though I am less vigorously pursuing venues right now. 

Q: How do you know when a piece is complete?

When it stops nagging me. It feels like the last piece of a puzzle has been dropped in. 

Toal’s work is currently on view at Finistere Restaurant in Port Townsend through May. Visit her website at www.Jeannetoal.com or make a studio visit by appointment.

Carolyn Lewis is serial entrepreneur, artist and community builder happily living and working in Port Townsend. Visit her Facebook Group at Port Townsend Life or find her on Instagram at @linalewisart.